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Jessie's Lawman coverI dropped by my closest used bookstore to pick up some old Harlequins for bubble bath reads, and the 3 for $1 romance shelf, usually just outside the door, was missing. Inside, I found new staff, who were surprised at my request, but decided that explained why the old Harlequins, in boxes on the floor, were missing prices. The owner had died some months ago, and the family were still sorting things out at the business. My modest purchase did not impress them, especially since renovations to the building are forcing them to move soon, and inexpensive retail space is hard to find. Hopefully they won’t move too far.

One of the purchases was Jessie’s Lawman, in the Temptation line, from 1995, by Kristine Rolofson. Now that I’m writing this, I look her up, and her bio seems familiar. Yes, another of hers was a previous 3 for $1 purchase: Plain Jane’s Man.  According to my review, Plain Jane’s Man was comfortable, verging on dull. Jessie’s Lawman, written just a year later, is more engaging, with higher stakes and stronger, more sympathetic characters.

Jessie is a struggling song-writer, fleeing a broken relationship. Driving through Colorado, she picks up a teenage hitchhiker carrying a baby, but when they stop for a meal in a small town, the hitchhiker takes off, leaving Jessie with the baby. Unable to get any local help, Jessie heads for Denver with the baby, but gets caught in a snow storm, and stops at a small roadside diner with a few cabins. There she meets Sheriff Daniel, who lost his wife to cancer last year.

The snowstorm and the baby force them to spend the night together. They talk, she sings to the baby and Daniel, and one thing leads to another. Daniel is impressed by her singing talents, but suspicious of her story about the hitchhiker, and concerned about the baby. He’s observed that Jessie seems completely unprepared to look after a baby, without even a car seat (of course), and there are signs of abuse. In the morning, with the roads clear, he rushes her on her way, promising that the baby will be properly cared for.

Several years later, Jessie is a country music star, thanks to her break-through hit, a romantic ballad about a special night, called “Colorado Snow.” Taking a break from touring to write more songs, she returns to Colorado, planning to step out of the spotlight and look up Daniel.

Daniel kept his promise, and Anna was adopted by relatives of his, but another tragedy brought her back to him. When Jessie rolls into town, he remembers their passionate night together (and knows the song), but also suspects she is back to get her baby, now that she has her life together.

The set up is about a quarter of the book, but well paced with good romantic tension. Once Jessie is back in town, there is the pull of memories and shared experiences, but Daniel has to overcome his suspicions, and heal some wounds from the death of his wife. Both of them will have to make some career and lifestyle compromises to be together.

The plot and pacing keep things moving, interesting, and relatively realistic. Consistent with the Temptation line, sex is an integral but not excessive part of the story. The couple’s relationship requires sacrifices from both, and benefits both. Genre romance books rarely make good movies, but this one, with its rustic settings, storms, and music, is one I’d like to see as a film. It’s a happy balance of drama, passion, and sweetness, with a few dark and unsubtle reminders that life is short and sometimes you need to take chances.

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